1
00:00:02,000 --> 00:00:03,400
Is this a Peugeot, this car?

2
00:00:04,520 --> 00:00:06,720
Suzuki.

3
00:00:06,720 --> 00:00:09,320
Auto, search for phone.

4
00:00:09,320 --> 00:00:11,880
Bluetooth connecting.

5
00:00:11,880 --> 00:00:13,680
Look at us being technical.

6
00:00:13,680 --> 00:00:14,840
Mmmwwwwehhhh...

7
00:00:14,840 --> 00:00:17,960
Dancing Queen by ABBA
Oh, my God!  Tune!

8
00:00:17,960 --> 00:00:20,600
This is in my will...  Disconnected.
..to be lowered into the ground to.

9
00:00:20,600 --> 00:00:22,200
Bluetooth connecting.

10
00:00:22,200 --> 00:00:24,280
Just... Just...
Just remember that.

11
00:00:25,760 --> 00:00:27,080
Disconnected.

12
00:00:27,080 --> 00:00:28,840
Oh, for  BLEEP  sake!

13
00:00:30,640 --> 00:00:32,200
Bluetooth connecting.

14
00:00:33,600 --> 00:00:36,920
MUSIC RESUMES

15
00:00:54,520 --> 00:00:57,000
Dancing, designing and demolishing

16
00:00:57,000 --> 00:00:59,560
our way through the summer
in Corfu...

17
00:00:59,560 --> 00:01:00,960
Ah!

18
00:01:00,960 --> 00:01:04,320
Amanda and I are transforming
a rundown ruin...

19
00:01:04,320 --> 00:01:06,320
Push it.

20
00:01:06,320 --> 00:01:08,760
Oh, my God! Can you do the splits?

21
00:01:08,760 --> 00:01:11,760
..into a luxury family holiday home.

22
00:01:11,760 --> 00:01:14,760
Ooh, it's like a cowpat. Ugh!

23
00:01:14,760 --> 00:01:18,480
We've completed the living
and dining room,

24
00:01:18,480 --> 00:01:19,960
the children's bedroom...

25
00:01:20,960 --> 00:01:22,280
..and the kitchen.

26
00:01:22,280 --> 00:01:24,480
Oh, my God, this is better than

27
00:01:24,480 --> 00:01:26,440
I ever thought it would be.

28
00:01:26,440 --> 00:01:29,320
And now we're
taking on the main bedroom.

29
00:01:31,480 --> 00:01:33,760
Are you sure
we can't repurpose this bed?

30
00:01:33,760 --> 00:01:35,440
Ah-ha-ha! No.

31
00:01:35,440 --> 00:01:37,680
I know. Disgusting.  Foul.

32
00:01:37,680 --> 00:01:39,880
You work better
when there's a theme.

33
00:01:39,880 --> 00:01:42,520
This is a bedroom,
so I'm thinking Aphrodite.

34
00:01:43,480 --> 00:01:46,680
Ooh, so what like love
and lust and...?

35
00:01:46,680 --> 00:01:49,920
And pleasure and...  Ooh! Well, if...
..calm.

36
00:01:49,920 --> 00:01:52,240
Well, if the earth moves in here,
it will be subsidence.

37
00:01:52,240 --> 00:01:54,440
It looks like it has moved,
though, look.

38
00:01:54,440 --> 00:01:58,040
The parents' bedroom,
I want it to be a sanctuary,

39
00:01:58,040 --> 00:02:01,440
I want them to go in there and go,
"Oh, my God, I remember you."

40
00:02:01,440 --> 00:02:03,640
You know how you do that sometimes?

41
00:02:03,640 --> 00:02:06,680
You just go, "Oh, my God, this is
who we were before we had children."

42
00:02:06,680 --> 00:02:08,320
"Let's remember the good times."

43
00:02:09,600 --> 00:02:12,840
That's exactly what
Aphrodite said to...

44
00:02:13,920 --> 00:02:16,920
..who did she go out with?
Hercules or someone like that?

45
00:02:16,920 --> 00:02:18,880
I love the idea of a four-poster.

46
00:02:18,880 --> 00:02:20,280
That would be really nice.

47
00:02:20,280 --> 00:02:23,680
But with... Every time I see this
room, I see the windows open

48
00:02:23,680 --> 00:02:27,760
and I see soft muslin curtains just
blowing gently in the wind.

49
00:02:27,760 --> 00:02:29,840
And I think if you're a parent...

50
00:02:29,840 --> 00:02:32,600
Yeah.  ..and you've been really good
with your kids all day,

51
00:02:32,600 --> 00:02:34,560
it needs to
feel like a place of calm.

52
00:02:34,560 --> 00:02:36,760
Ooh!  And a hopeful place.

53
00:02:36,760 --> 00:02:38,080
Hopeful. OK. Yeah.

54
00:02:38,080 --> 00:02:39,960
Hopeful you're not too knackered.
No.

55
00:02:39,960 --> 00:02:42,280
But it might mean...
You're praying you'll get some.

56
00:02:42,280 --> 00:02:44,200
One half of you's probably praying,

57
00:02:44,200 --> 00:02:46,720
and the other half's going,
"Don't touch me!"

58
00:02:48,600 --> 00:02:50,840
I think there, like a love seat.

59
00:02:50,840 --> 00:02:52,440
Sit...  You mean like a window seat?

60
00:02:52,440 --> 00:02:53,840
A window seat, there.

61
00:02:53,840 --> 00:02:56,120
Could we both fit there?
Shall we see?

62
00:02:56,120 --> 00:03:00,000
I think we should call
it, like, the Aphrodite Suite.

63
00:03:00,000 --> 00:03:02,000
A room for love, you know?

64
00:03:02,000 --> 00:03:06,360
To think about love,
to talk about love and to make love.

65
00:03:06,360 --> 00:03:08,280
And look at the sea.

66
00:03:08,280 --> 00:03:09,960
Don't you think that's nice,
the kids are playing...

67
00:03:09,960 --> 00:03:12,320
I do think it's big enough...
Mummy and Daddy can have a bit of...

68
00:03:12,320 --> 00:03:14,760
And Mummy and Daddy can play mummies
and daddies.  Daddies, yeah.

69
00:03:14,760 --> 00:03:15,920
Oh, yes.  Now you're talking.

70
00:03:15,920 --> 00:03:17,400
Go back round there.

71
00:03:17,400 --> 00:03:19,680
And then I'll just,
after being all romantic,

72
00:03:19,680 --> 00:03:22,600
I'll just squeeze past this bed.

73
00:03:22,600 --> 00:03:25,400
Let's squeeze past, squeeze past.

74
00:03:25,400 --> 00:03:26,560
Ooh!

75
00:03:26,560 --> 00:03:28,800
Ooh!  Nearly daddy became a mummy.

76
00:03:40,520 --> 00:03:42,280
To get us in the mood for love,

77
00:03:42,280 --> 00:03:46,120
I'm taking Amanda on a road trip
to the northwest of Corfu.

78
00:03:50,000 --> 00:03:52,120
Well, it's Sidari.

79
00:03:52,120 --> 00:03:55,000
Now, I went back here in 1997,

80
00:03:55,000 --> 00:03:58,600
and there is this Tunnel of Love.

81
00:03:58,600 --> 00:04:02,160
And if you go through this
Tunnel of Love,

82
00:04:02,160 --> 00:04:06,120
who you see at the other end
is your love of your life.

83
00:04:06,120 --> 00:04:07,520
You find love.

84
00:04:07,520 --> 00:04:11,720
If you go in together,
we will have eternal love.

85
00:04:11,720 --> 00:04:14,320
So...  What, with each other?
With each other.  Ah!

86
00:04:14,320 --> 00:04:16,760
Don't take this the wrong way,
but I'm going alone.

87
00:04:16,760 --> 00:04:18,080
And... No...

88
00:04:19,680 --> 00:04:22,080
I still haven't found love on Corfu,

89
00:04:22,080 --> 00:04:24,600
but, hopefully, things are looking
up.

90
00:04:24,600 --> 00:04:27,920
Canal D'Amour is a popular
destination for tourists

91
00:04:27,920 --> 00:04:29,920
in search of a soulmate.

92
00:04:32,000 --> 00:04:33,600
Oh, wow!

93
00:04:35,840 --> 00:04:37,600
Oh, my gosh!

94
00:04:37,600 --> 00:04:39,880
We're going in that
hole, is that it?

95
00:04:39,880 --> 00:04:42,160
That hole?  Is that the hole?

96
00:04:42,160 --> 00:04:44,520
Isn't it weird?
This is a tourist area,

97
00:04:44,520 --> 00:04:47,520
I'm here to find love,
and no-one's turned up.

98
00:04:47,520 --> 00:04:49,880
Do you reckon someone knows
I'm here looking for love,

99
00:04:49,880 --> 00:04:52,160
and everyone's gone, "Get...
Back off.

100
00:04:52,160 --> 00:04:54,280
"Get out of Sidari. Alan's here."

101
00:04:59,520 --> 00:05:02,040
It's too choppy to swim today, Alan.

102
00:05:02,040 --> 00:05:04,720
Oh.  You're going to get smashed
against those rocks.

103
00:05:04,720 --> 00:05:07,040
It's not worth being
injured for love.

104
00:05:07,040 --> 00:05:08,360
Well, I'd do anything for love,

105
00:05:08,360 --> 00:05:10,200
like Meat Loaf said,
but I won't do that.

106
00:05:10,200 --> 00:05:11,600
Won't do that.

107
00:05:11,600 --> 00:05:13,160
SHE LAUGHS

108
00:05:16,800 --> 00:05:18,120
I'm not going up there...

109
00:05:18,120 --> 00:05:20,720
You can't go in there.
Look at that, you can't.

110
00:05:20,720 --> 00:05:22,320
No, you can't.

111
00:05:22,320 --> 00:05:24,480
I think we should
just have a paddle.

112
00:05:24,480 --> 00:05:26,400
Yeah? Just dip your toe in.

113
00:05:26,400 --> 00:05:28,280
Yeah. This could be foreplay.

114
00:05:30,880 --> 00:05:32,440
Ooh!

115
00:05:32,440 --> 00:05:34,880
It's cold.  That's quite chilly
still.

116
00:05:34,880 --> 00:05:38,760
See, it is like your love
life in that once you get in,

117
00:05:38,760 --> 00:05:40,360
you get used to it.

118
00:05:40,360 --> 00:05:42,520
Yes, that's right.

119
00:05:42,520 --> 00:05:44,280
And very shallow.

120
00:05:53,240 --> 00:05:57,320
I am just going to get this
because it's not good for the ocean.

121
00:05:57,320 --> 00:05:58,920
Look.

122
00:06:00,840 --> 00:06:02,120
This is bad.

123
00:06:04,640 --> 00:06:05,960
Let's hold hands.

124
00:06:07,240 --> 00:06:09,240
If we go, we go together, Alan.

125
00:06:09,240 --> 00:06:11,120
Whee!

126
00:06:11,120 --> 00:06:14,960
What was it like in '97?
How many holes were there in '97?

127
00:06:14,960 --> 00:06:18,480
Oh, my! Well, this... This was
all rock, back in the day.

128
00:06:18,480 --> 00:06:21,720
This wasn't even here.
It was fields.

129
00:06:22,880 --> 00:06:25,480
Do you know what?
I remember back in 1997, yeah.

130
00:06:25,480 --> 00:06:30,320
Right.  I had this lovely green towel
that I used to take everywhere.

131
00:06:30,320 --> 00:06:31,560
AMANDA CHUCKLES

132
00:06:31,560 --> 00:06:32,760
And...

133
00:06:32,760 --> 00:06:35,560
AMANDA GUFFAWS

134
00:06:35,560 --> 00:06:37,640
Oh, my God!

135
00:06:38,600 --> 00:06:42,920
And I've always wanted to know
where... What happened to it.

136
00:06:42,920 --> 00:06:44,640
What happened to it!

137
00:06:56,200 --> 00:06:57,920
I might not have found love,

138
00:06:57,920 --> 00:07:01,800
but Amanda and I are inspired
to find ways of bringing romance

139
00:07:01,800 --> 00:07:05,680
to our bedroom design,
using Corfu's natural beauty.

140
00:07:05,680 --> 00:07:07,520
This is lovely.

141
00:07:07,520 --> 00:07:10,520
So, I'm on the beach
foraging for driftwood for an idea

142
00:07:10,520 --> 00:07:12,560
I have for our bedside lamps.

143
00:07:12,560 --> 00:07:14,040
I love that one.

144
00:07:14,040 --> 00:07:17,440
The things I do for aesthetics.

145
00:07:18,960 --> 00:07:22,080
While my inspiration is
literally on my doorstep.

146
00:07:23,280 --> 00:07:27,040
Now, do you remember these doors?
They were at the top of the stairs.

147
00:07:27,040 --> 00:07:30,360
Yeah, but I think they... We can't
re-use these. They're dead.

148
00:07:30,360 --> 00:07:33,400
You can, you can.  What do you want
to do with them?  Headboard.

149
00:07:34,880 --> 00:07:37,120
Make them into... Because, you know,
it's like the Aphrodite Suite.

150
00:07:37,120 --> 00:07:40,240
Right.  You know, we want it to be
all about love.

151
00:07:40,240 --> 00:07:42,840
And we need a sturdy headboard.
Do you get what I'm saying?

152
00:07:42,840 --> 00:07:44,960
Yeah, OK.

153
00:07:44,960 --> 00:07:47,080
If the headboard's a'rocking,
don't come a'knocking.

154
00:07:47,080 --> 00:07:48,880
So...

155
00:07:48,880 --> 00:07:51,360
Everywhere you look in Greece,
you look at the houses,

156
00:07:51,360 --> 00:07:54,160
you get the shutters and the doors,
and they seem to really

157
00:07:54,160 --> 00:07:57,880
care about them, you see them
in all different kinds of colours.

158
00:07:57,880 --> 00:08:04,240
So, I think to bring that outside
in is quite clever, really.

159
00:08:04,240 --> 00:08:06,560
This is what I was thinking.  Yeah?

160
00:08:06,560 --> 00:08:07,880
Cutting across here

161
00:08:07,880 --> 00:08:09,880
where the letterbox was.  Yeah.

162
00:08:09,880 --> 00:08:11,360
And then putting that up there,

163
00:08:11,360 --> 00:08:13,360
like that, that, that, that,

164
00:08:13,360 --> 00:08:14,840
all in a line.

165
00:08:14,840 --> 00:08:18,640
It's repurposing,
it's reusing, it's recycling,

166
00:08:18,640 --> 00:08:20,520
it's everything that I love as
a designer.

167
00:08:20,520 --> 00:08:22,800
It's re-diculous.

168
00:08:24,240 --> 00:08:25,760
That was quick for you.

169
00:08:25,760 --> 00:08:26,800
Yeah.

170
00:08:26,800 --> 00:08:27,960
I believe in second chances,

171
00:08:27,960 --> 00:08:31,560
so I think it's nice that we've
given those doors, you know,

172
00:08:31,560 --> 00:08:33,080
a new lease of life.

173
00:08:38,080 --> 00:08:39,800
Lovely.

174
00:08:39,800 --> 00:08:41,920
I've left the headboard design
to Alan...

175
00:08:43,080 --> 00:08:47,000
..so I can bring my beach treasure
to local artist Sakis

176
00:08:47,000 --> 00:08:50,040
who creates lighting from
Corfu driftwood.

177
00:08:51,120 --> 00:08:52,920
We make two lamps...

178
00:08:52,920 --> 00:08:54,680
Two lamps from this one.

179
00:08:54,680 --> 00:08:56,320
There, left and right of the bed.

180
00:08:56,320 --> 00:08:57,440
OK.

181
00:08:57,440 --> 00:08:59,600
Lighting is a gamechanger in a room.

182
00:08:59,600 --> 00:09:02,280
Just little pockets of light,
subtle lighting,

183
00:09:02,280 --> 00:09:05,160
and you can do it really
inexpensively.

184
00:09:05,160 --> 00:09:07,480
To make a lamp
like the ones in his shop,

185
00:09:07,480 --> 00:09:10,120
Sakis first cuts the wood to size...

186
00:09:10,120 --> 00:09:11,440
Great.

187
00:09:11,440 --> 00:09:14,480
..making sure the ends are flat
so he can attach a base.

188
00:09:17,040 --> 00:09:21,080
Then he drills a hole down the
centre for the cable to run through.

189
00:09:21,080 --> 00:09:22,680
Let me have a go at doing this.

190
00:09:22,680 --> 00:09:23,880
Ah.

191
00:09:23,880 --> 00:09:25,200
Yeah, you see.

192
00:09:25,200 --> 00:09:27,320
Woo! There she is.

193
00:09:30,480 --> 00:09:31,720
Perfect.

194
00:09:31,720 --> 00:09:36,680
Hello and welcome
to Mandy's whittling hour.

195
00:09:36,680 --> 00:09:38,160
It could be wittering.

196
00:09:40,480 --> 00:09:42,280
And now...

197
00:09:42,280 --> 00:09:44,480
Perfect. Do you want me
to do the light switch on?

198
00:09:44,480 --> 00:09:45,640
Yes.

199
00:09:45,640 --> 00:09:47,480
People pay good money for this.

200
00:09:47,480 --> 00:09:49,040
Yep.

201
00:09:49,040 --> 00:09:51,360
Dun, duh-duh-dun, dah, dah!

202
00:09:51,360 --> 00:09:53,480
Ohhh!  It's working.  Ohh!

203
00:09:53,480 --> 00:09:55,200
Well done.

204
00:09:55,200 --> 00:09:56,680
That's so good.

205
00:09:56,680 --> 00:09:57,920
And now it's for...

206
00:09:57,920 --> 00:10:00,320
No, no, no, no, no, it's mine.

207
00:10:00,320 --> 00:10:02,320
No, you're not selling that.

208
00:10:02,320 --> 00:10:04,760
OK.  That's so cool.  Another one.

209
00:10:06,480 --> 00:10:09,640
I know Alan is very fond of rustic.

210
00:10:09,640 --> 00:10:13,240
But you've got to make the parents
feel like they're in a special,

211
00:10:13,240 --> 00:10:15,080
bougie little hotel room,

212
00:10:15,080 --> 00:10:18,840
not some sort of fisherman's shack.

213
00:10:21,320 --> 00:10:23,160
No more rustic now.  No more.
Perfect.

214
00:10:23,160 --> 00:10:24,600
Oh, my gosh!

215
00:10:24,600 --> 00:10:27,000
I love them, I love them.

216
00:10:27,000 --> 00:10:30,840
At the house, we've cut
the old doors down into panels,

217
00:10:30,840 --> 00:10:33,040
given them a quick sand and spruce,

218
00:10:33,040 --> 00:10:35,280
and my headboard is taking shape.

219
00:10:35,280 --> 00:10:37,640
That's great.  Yeah?
Love it.

220
00:10:37,640 --> 00:10:39,120
OK, middle one.

221
00:10:40,800 --> 00:10:43,400
This is the only intimacy
I've had in Corfu.

222
00:10:43,400 --> 00:10:45,920
DRILL RASPS

223
00:10:45,920 --> 00:10:47,320
Stop, stop!

224
00:10:49,400 --> 00:10:51,320
There you go.  Oh, my God! Lovely.

225
00:10:51,320 --> 00:10:53,120
Right.  Next one.

226
00:10:53,120 --> 00:10:55,240
Right, I'm going to really
just push it now.

227
00:10:55,240 --> 00:10:57,080
Yeah.  I don't care.

228
00:10:57,080 --> 00:10:58,760
DRILL RASPS

229
00:10:59,960 --> 00:11:01,080
What?

230
00:11:01,080 --> 00:11:02,240
Maybe try just like doing it

231
00:11:02,240 --> 00:11:04,120
a little bit, then a little bit,
and then a little bit.

232
00:11:04,120 --> 00:11:06,360
DRILL SQUEALS
There you go.

233
00:11:06,360 --> 00:11:07,640
That's the noise. Did you hear it?

234
00:11:07,640 --> 00:11:10,880
It's like a "nyahhh"
if it's going in,

235
00:11:10,880 --> 00:11:13,080
or a "nnnghhhhh" if it's not.

236
00:11:13,080 --> 00:11:17,960
And, even blindfolded operating
a screwdriver, I would know.

237
00:11:17,960 --> 00:11:20,080
And that is a real skill.

238
00:11:21,760 --> 00:11:24,120
This is already looking amazing.

239
00:11:34,960 --> 00:11:38,640
It's tools down for the afternoon,
because I've had a call from Julie

240
00:11:38,640 --> 00:11:42,680
at the Donkey Sanctuary where we've
been volunteering for the summer.

241
00:11:42,680 --> 00:11:46,600
She wants me to meet a new resident
who needs some help settling in.

242
00:11:48,200 --> 00:11:51,960
This is a new horse that
arrived yesterday.

243
00:11:51,960 --> 00:11:53,640
Aw, so young.  Yeah.

244
00:11:53,640 --> 00:11:57,400
Oh, my gosh! Did someone just
abandon him? Hello, darling.

245
00:11:57,400 --> 00:12:00,440
He's just adjusting, I think,
at the moment.

246
00:12:00,440 --> 00:12:03,800
Oh, my gosh!
You're in the right place, darling.

247
00:12:05,120 --> 00:12:07,280
You're in the right place now.

248
00:12:08,440 --> 00:12:10,920
He's spending time with the donkeys
rather than horses,

249
00:12:10,920 --> 00:12:13,360
because the horses are a lot older
and...  Yeah.

250
00:12:13,360 --> 00:12:15,640
..a lot bigger than him.

251
00:12:15,640 --> 00:12:19,840
Sometimes, a foal is abandoned
when its mother is a working horse

252
00:12:19,840 --> 00:12:24,040
whose owners don't want her taking
time out to nurse her young.

253
00:12:24,040 --> 00:12:25,920
What's his name?  Diogo.  Diogo.

254
00:12:25,920 --> 00:12:29,440
Diogo.  Yes.  Diogo.  There.

255
00:12:29,440 --> 00:12:31,360
He's got a lot to get used to.

256
00:12:31,360 --> 00:12:32,960
I know.

257
00:12:32,960 --> 00:12:36,160
At just three months old,
Diogo's main source of food

258
00:12:36,160 --> 00:12:38,280
will have been his mother's milk,

259
00:12:38,280 --> 00:12:42,000
so he's been reluctant to eat
since arriving at the sanctuary.

260
00:12:42,000 --> 00:12:44,600
Got a lot to get used to,
but you'll be the kingpin

261
00:12:44,600 --> 00:12:46,440
when you get bigger.

262
00:12:46,440 --> 00:12:49,240
You'll get bigger,
and then you'll be fine.

263
00:12:49,240 --> 00:12:51,560
Your lovely red hair.

264
00:12:51,560 --> 00:12:53,760
The foal is beautiful.

265
00:12:53,760 --> 00:12:55,440
So beautiful.

266
00:12:55,440 --> 00:12:56,880
It's heartbreaking.

267
00:12:58,040 --> 00:13:01,720
Julie's hoping that by feeding him
alongside the donkeys,

268
00:13:01,720 --> 00:13:04,440
he'll feel safe enough to start
eating again.

269
00:13:05,520 --> 00:13:08,840
This place is surrounded in love,
but the animals that have come here

270
00:13:08,840 --> 00:13:12,600
haven't been that fortunate,
and the way they still trust humans

271
00:13:12,600 --> 00:13:18,080
and still have an open heart is
something we can all learn, I think.

272
00:13:18,080 --> 00:13:21,040
I fell like the trolley, you know
when it comes round the hospital

273
00:13:21,040 --> 00:13:22,680
with all the goodies.

274
00:13:22,680 --> 00:13:25,880
Unconditional love and truth, yeah.

275
00:13:25,880 --> 00:13:28,000
And we're here to protect them,

276
00:13:28,000 --> 00:13:29,400
not abuse them.

277
00:13:30,920 --> 00:13:33,040
I nearly made myself cry then.

278
00:13:34,440 --> 00:13:36,040
It's true, though.

279
00:13:39,680 --> 00:13:41,400
You're being followed.

280
00:13:41,400 --> 00:13:43,120
Come on, then.

281
00:13:47,920 --> 00:13:50,160
Does the foal eat the same?

282
00:13:50,160 --> 00:13:51,880
Yes.

283
00:13:54,840 --> 00:13:56,560
Hey.

284
00:13:56,560 --> 00:13:58,640
Are you scared to join in?

285
00:14:00,400 --> 00:14:02,120
Here, would you like some?

286
00:14:02,120 --> 00:14:03,640
No?

287
00:14:03,640 --> 00:14:05,200
Would you?

288
00:14:05,200 --> 00:14:07,920
You have your own little portion.

289
00:14:07,920 --> 00:14:09,640
Yeah.

290
00:14:09,640 --> 00:14:11,520
There we are.

291
00:14:11,520 --> 00:14:14,800
I think he's a bit nervous to eat
with the other ones.

292
00:14:16,720 --> 00:14:20,000
You know, I don't normally
like people crunching in my ear,

293
00:14:20,000 --> 00:14:22,040
I don't mind you
crunching in my ear.

294
00:14:22,040 --> 00:14:25,040
Me and Alan are both animal nuts,

295
00:14:25,040 --> 00:14:27,840
and to be able to come down here
and just feel something

296
00:14:27,840 --> 00:14:30,840
in your soul, it's just beautiful.

297
00:14:30,840 --> 00:14:35,800
It's a really beautiful part
of this whole experience for me.

298
00:14:37,240 --> 00:14:39,800
Ooh, I love that dance.

299
00:14:41,080 --> 00:14:42,360
All good?

300
00:14:42,360 --> 00:14:44,520
Ohh!  Good?

301
00:14:44,520 --> 00:14:46,960
At least he's eating,
so you know he's all right.

302
00:14:46,960 --> 00:14:48,520
Yes.  Yeah.

303
00:14:48,520 --> 00:14:50,480
He'll settle in.  Yeah.

304
00:14:58,080 --> 00:15:00,960
While Amanda spends the afternoon
at the sanctuary, my parents

305
00:15:00,960 --> 00:15:05,960
are in town, so I'm taking them
to dinner in Corfu's oldest village.

306
00:15:08,400 --> 00:15:10,640
Have you got your sensible shows on,
Mum, because it's quite cobbly?

307
00:15:10,640 --> 00:15:12,520
Yes, I have. Yes.

308
00:15:12,520 --> 00:15:16,000
14th century, that's
when the village was built.

309
00:15:16,000 --> 00:15:17,960
I know you like history, Dad.

310
00:15:17,960 --> 00:15:19,880
What did you call Pompeii?

311
00:15:19,880 --> 00:15:21,040
Ha!

312
00:15:21,040 --> 00:15:22,520
The building site.

313
00:15:22,520 --> 00:15:24,000
Oh!

314
00:15:24,000 --> 00:15:26,000
Talk about embarrassing.

315
00:15:30,400 --> 00:15:33,040
The ghost village of Old Perithia
lies near the top

316
00:15:33,040 --> 00:15:36,560
of the island's highest peak,
Mount Pantokrator.

317
00:15:36,560 --> 00:15:40,960
Populated since the 1300s,
it was abandoned in the 1960s

318
00:15:40,960 --> 00:15:42,920
when tourism hit Corfu,

319
00:15:42,920 --> 00:15:46,640
and its villagers went in search
of their fortunes nearer the coast.

320
00:15:49,840 --> 00:15:51,240
BLEEP!

321
00:15:51,240 --> 00:15:52,640
Ugh!

322
00:15:52,640 --> 00:15:55,560
INDISTINCT COMMENTS

323
00:15:55,560 --> 00:15:57,600
It's not my fault, it's the road.

324
00:15:57,600 --> 00:16:00,480
Ah, and my handbrake's on, you see.
All right. Yeah.

325
00:16:02,200 --> 00:16:04,640
Now preserved as a historic
monument,

326
00:16:04,640 --> 00:16:08,360
life is returning in the form
of the odd BandB and taverna.

327
00:16:10,520 --> 00:16:11,880
This is cute, isn't it?

328
00:16:11,880 --> 00:16:13,400
What a lovely place!

329
00:16:13,400 --> 00:16:15,960
So, I've booked a dinner
to give my parents a true

330
00:16:15,960 --> 00:16:18,640
experience of rural Corfiot cuisine.

331
00:16:20,960 --> 00:16:25,480
When it comes to food,
my dad will be quite adventurous,

332
00:16:25,480 --> 00:16:28,200
but my mum will not try
anything new.

333
00:16:29,200 --> 00:16:31,360
I'm starving, are you?  Here we go.

334
00:16:31,360 --> 00:16:33,320
Oh, here we go.  Wow!
It'll be delicious.

335
00:16:33,320 --> 00:16:35,320
My mum like fishfingers.

336
00:16:37,480 --> 00:16:40,800
She's like a five-year-old
when it comes to food.

337
00:16:40,800 --> 00:16:43,360
I have Greek salad here.

338
00:16:43,360 --> 00:16:44,600
Lovely.

339
00:16:44,600 --> 00:16:49,840
Meze. This is pork with Greek local
specialities in a red spicy sauce.

340
00:16:49,840 --> 00:16:51,960
OK.  Thank you.

341
00:16:51,960 --> 00:16:55,320
Now, Mum, I know you're not a fan of
feta, but do you want some of this?

342
00:16:55,320 --> 00:16:56,640
Er...just a...

343
00:16:56,640 --> 00:16:59,920
Just a... No. I won't.

344
00:16:59,920 --> 00:17:02,280
There you go, Dad.

345
00:17:02,280 --> 00:17:04,600
And do you want some of this, Mum?
No. I'll...

346
00:17:08,840 --> 00:17:11,880
Come on.
I am.  Big mouthful.

347
00:17:11,880 --> 00:17:14,600
In comes the train, toot-toot!

348
00:17:14,600 --> 00:17:16,320
She's suspicious.

349
00:17:16,320 --> 00:17:20,920
We say this restaurant
wants you have a nice meal

350
00:17:20,920 --> 00:17:23,200
so you come back.

351
00:17:23,200 --> 00:17:25,440
But for my mum,
it's like bushtucker trial.

352
00:17:26,480 --> 00:17:28,120
I have rabbit stew.

353
00:17:28,120 --> 00:17:30,000
Here.  Oh, nice.

354
00:17:31,200 --> 00:17:32,880
This is stuffed vine leaves.

355
00:17:32,880 --> 00:17:34,440
Oh, thank you.

356
00:17:37,280 --> 00:17:40,080
This is traditional vine leaf.

357
00:17:40,080 --> 00:17:42,400
Well, don't take the vine bit off.

358
00:17:42,400 --> 00:17:43,760
I can't...

359
00:17:43,760 --> 00:17:45,680
That's rabbit stew.  Is it?  Yeah.

360
00:17:45,680 --> 00:17:48,000
Do you want a bit of rabbit?
No, thank you.

361
00:17:49,520 --> 00:17:51,160
Dad, what do you think, love?

362
00:17:51,160 --> 00:17:53,320
Very nice.  Yeah.

363
00:17:53,320 --> 00:17:55,120
Are we going to get dessert?

364
00:17:55,120 --> 00:17:57,040
There's a rabbit mousse.

365
00:18:13,080 --> 00:18:16,320
At the house, the old
bedroom ceiling's come out,

366
00:18:16,320 --> 00:18:18,720
the internal walls are primed,

367
00:18:18,720 --> 00:18:21,400
and Amanda and I have a plan
to give the bedroom

368
00:18:21,400 --> 00:18:23,800
a calm yet seductive feel.

369
00:18:28,400 --> 00:18:30,600
Right.  Are you all right,
Mary Poppins?

370
00:18:30,600 --> 00:18:32,000
No, listen,

371
00:18:32,000 --> 00:18:34,200
I've got to carry the...
Look, what's this?

372
00:18:34,200 --> 00:18:36,160
Roller, gloves,

373
00:18:37,280 --> 00:18:39,240
Whatever that... Ashtray.

374
00:18:39,240 --> 00:18:43,200
We're going to start on there
because I really love that.

375
00:18:43,200 --> 00:18:44,920
Really?  I love that.

376
00:18:44,920 --> 00:18:48,240
Because it was a gamble, I thought
I'm going to go for it, you know.

377
00:18:48,240 --> 00:18:50,400
It is very rustic.

378
00:18:50,400 --> 00:18:53,200
Yes.  But I actually love it.

379
00:18:53,200 --> 00:18:55,960
We're applying a colour wash
technique to the walls

380
00:18:55,960 --> 00:18:58,960
to give a textured
appearance of raw plaster.

381
00:18:58,960 --> 00:19:03,760
And we've chosen two subtle
shades of off-white paint.

382
00:19:03,760 --> 00:19:07,280
So, we're just going to go swish,
swish, swish, swish, swish...

383
00:19:07,280 --> 00:19:08,800
Swish, swish, swish.

384
00:19:08,800 --> 00:19:09,880
CICADAS CHIRR

385
00:19:09,880 --> 00:19:12,080
That is my favourite
noise in the world.

386
00:19:12,080 --> 00:19:13,520
What?  That.

387
00:19:14,600 --> 00:19:16,480
What's it called, cicadas?

388
00:19:16,480 --> 00:19:17,720
Yeah.

389
00:19:17,720 --> 00:19:20,320
They never stop talking
all day long.

390
00:19:20,320 --> 00:19:21,920
Ha! Mm...

391
00:19:23,040 --> 00:19:25,160
Well, that... Wonder what feels
like?

392
00:19:26,960 --> 00:19:28,440
How very dare you!

393
00:19:28,440 --> 00:19:30,920
I think you've found
your spirit animal, Amanda.

394
00:19:34,120 --> 00:19:36,320
Oh, are you sure this is right?

395
00:19:36,320 --> 00:19:37,720
Swish, swish, swish.

396
00:19:37,720 --> 00:19:39,680
These colours are a bit urgh,
failing the...

397
00:19:39,680 --> 00:19:40,760
This is not doing anything.

398
00:19:40,760 --> 00:19:43,520
Do you know what? This is like a
room that's meant to be, like, love,

399
00:19:43,520 --> 00:19:44,960
passion. This is like...

400
00:19:44,960 --> 00:19:46,400
This is insipid.

401
00:19:46,400 --> 00:19:48,680
Mm, I think this is boring.

402
00:19:48,680 --> 00:19:51,280
Shall we stop?
Because I do think you're right.

403
00:19:51,280 --> 00:19:53,960
We are brave enough to say,
no, it doesn't work.

404
00:19:53,960 --> 00:19:57,800
I think, as an interior designer,
you've got to learn to say no.

405
00:19:57,800 --> 00:19:59,480
And I think sometimes saying no...

406
00:19:59,480 --> 00:20:01,960
As a human you've got to learn
to say no.  Yes.

407
00:20:01,960 --> 00:20:03,840
We've both got to learn to
say no, as humans.

408
00:20:03,840 --> 00:20:05,440
I know, we are people pleasers.

409
00:20:05,440 --> 00:20:06,840
We say yes to everything.

410
00:20:06,840 --> 00:20:08,680
Yes. Rose...

411
00:20:08,680 --> 00:20:10,840
I know.  ..wine, beer,

412
00:20:10,840 --> 00:20:12,280
vodka...  Ouzo.

413
00:20:12,280 --> 00:20:14,120
..ouzo, limoncello.

414
00:20:14,120 --> 00:20:15,520
Back in the room, back in the room.

415
00:20:15,520 --> 00:20:18,600
There was no passion in there,
and it needs a bit of passion.  Yeah.

416
00:20:18,600 --> 00:20:22,840
To try and ignite the passion,
we've made a trip to the paint shop

417
00:20:22,840 --> 00:20:25,840
and opted for two shades
of blush pink instead.

418
00:20:27,280 --> 00:20:29,120
Right.

419
00:20:29,120 --> 00:20:31,680
Now this is the worry,

420
00:20:31,680 --> 00:20:34,080
I didn't look at it
when she mixed it.

421
00:20:34,080 --> 00:20:35,800
Ooh.

422
00:20:35,800 --> 00:20:37,200
Ooh.

423
00:20:37,200 --> 00:20:38,440
Ooh, it's purple.

424
00:20:38,440 --> 00:20:39,800
It is purple.

425
00:20:39,800 --> 00:20:42,120
But that is the colour of lust,
isn't it? Purple?

426
00:20:42,120 --> 00:20:44,080
It is now.

427
00:20:44,080 --> 00:20:46,120
Sort of lilac.  Mm.

428
00:20:47,080 --> 00:20:48,800
Oh, my God!

429
00:20:50,480 --> 00:20:53,040
Oh! Bloody hell! This is stupid.

430
00:20:53,040 --> 00:20:56,320
But we can't stop
or it looks like a mistake.

431
00:20:56,320 --> 00:20:57,880
It is a mistake.

432
00:20:59,240 --> 00:21:03,080
Yeah, the thing is,
it's gone like corn beef purple.

433
00:21:03,080 --> 00:21:06,360
Do you know, I'm wondered whether it
should have been pale green.

434
00:21:11,000 --> 00:21:12,080
Oh, dear.

435
00:21:12,080 --> 00:21:13,400
Right, then.

436
00:21:14,600 --> 00:21:16,480
ALAN SIGHS

437
00:21:27,600 --> 00:21:30,120
To give us time to rethink,

438
00:21:30,120 --> 00:21:33,360
we're whisking ourselves off
to the dramatic sea cliffs

439
00:21:33,360 --> 00:21:35,280
of northwest Corfu.

440
00:21:37,360 --> 00:21:38,960
Oh, look.

441
00:21:40,960 --> 00:21:44,560
Sitting on a rocky headland,
Paleokastritsa Monastery

442
00:21:44,560 --> 00:21:48,600
dominates the coastline with its
striking facade and sweeping views.

443
00:21:52,080 --> 00:21:53,520
Look up here.

444
00:21:53,520 --> 00:21:55,320
Ahh!

445
00:21:55,320 --> 00:21:58,920
I know this is going to make you
laugh, and it isn't a joke, Alan,

446
00:21:58,920 --> 00:22:00,640
but there was a moment
when I was young

447
00:22:00,640 --> 00:22:02,680
where I had a little cross
and a Bible,

448
00:22:02,680 --> 00:22:04,160
and I would sit in front of it,

449
00:22:04,160 --> 00:22:06,960
and I had dreams of becoming a nun.

450
00:22:06,960 --> 00:22:09,120
But I think loads of kids
go through that.

451
00:22:09,120 --> 00:22:11,080
What, like Sister Amanda?

452
00:22:12,280 --> 00:22:13,360
Exactly.

453
00:22:13,360 --> 00:22:15,840
I bet you'd quite like it,
with no make-up and just like...

454
00:22:15,840 --> 00:22:18,760
No, that's when I knew.
I couldn't be a nun with a lash.

455
00:22:18,760 --> 00:22:20,920
No.  That's not going to work.

456
00:22:20,920 --> 00:22:22,600
Oh, look, this is the entrance.

457
00:22:22,600 --> 00:22:25,080
Shall we have a look?
Let's have a look.

458
00:22:28,400 --> 00:22:31,880
Founded in 1225,
the architecture combines Byzantine

459
00:22:31,880 --> 00:22:34,120
and Venetian styles.

460
00:22:35,400 --> 00:22:36,560
Ahhh!

461
00:22:36,560 --> 00:22:39,000
Gosh! Look how opulent that is!

462
00:22:40,120 --> 00:22:42,800
And Paleokastritsa remains
one of the few active

463
00:22:42,800 --> 00:22:45,040
monasteries on the island.

464
00:22:46,160 --> 00:22:49,560
Oh, my gosh! Is that an olive tree
or a palm tree on that ceiling?

465
00:22:49,560 --> 00:22:50,960
I love that.

466
00:22:50,960 --> 00:22:54,600
Shouldn't you be covered up a bit
more, being in a church?

467
00:22:54,600 --> 00:22:56,040
Do you want to see if there's

468
00:22:56,040 --> 00:22:58,200
a wimple in lost property
or something?

469
00:23:01,720 --> 00:23:03,560
I don't know what it's for.

470
00:23:03,560 --> 00:23:04,840
Is it a prayer?

471
00:23:04,840 --> 00:23:06,360
Oh, yeah, prayers.

472
00:23:06,360 --> 00:23:08,480
Well, it's all in Greek.

473
00:23:08,480 --> 00:23:11,680
Oh, deceased, it's people who have
died.  Oh.

474
00:23:11,680 --> 00:23:13,920
That's sad, isn't it?

475
00:23:14,960 --> 00:23:17,680
I'm going to do my nanny and
grandad.

476
00:23:17,680 --> 00:23:20,640
And then I'm going to do my little
boy, Theo.

477
00:23:23,840 --> 00:23:26,600
That goes there,
and then we just get a candle out.

478
00:23:29,120 --> 00:23:30,720
We'll just light them over here.

479
00:23:30,720 --> 00:23:32,000
Ah.

480
00:23:48,600 --> 00:23:51,760
It's so lovely, I always think,
whether you're religious or not,

481
00:23:51,760 --> 00:23:54,960
to come in a place,
a church, anywhere,

482
00:23:54,960 --> 00:23:57,440
where you can actually
have a moment of still.

483
00:23:57,440 --> 00:23:59,880
Yeah.  And not think.

484
00:23:59,880 --> 00:24:01,440
And just be grateful.

485
00:24:01,440 --> 00:24:04,640
Oh, yeah, yeah. I almost
feel like my heart is slowing down.

486
00:24:04,640 --> 00:24:06,800
I know, and that's what we need.

487
00:24:06,800 --> 00:24:10,320
Yeah.  Because we're both always
hectic.

488
00:24:12,000 --> 00:24:16,400
I don't want to get maudlin,
but when we lost Theo...

489
00:24:17,480 --> 00:24:22,640
..there wasn't one moment where I
thought why has this happened to me.

490
00:24:22,640 --> 00:24:23,840
Mm.

491
00:24:23,840 --> 00:24:26,840
But there also wasn't
a moment where I...

492
00:24:28,800 --> 00:24:32,000
..sort of blamed God or anything.

493
00:24:32,000 --> 00:24:33,160
Mm.

494
00:24:33,160 --> 00:24:35,160
And I just...

495
00:24:35,160 --> 00:24:37,840
The way I accepted it,

496
00:24:37,840 --> 00:24:40,320
was to say that he chose me...

497
00:24:40,320 --> 00:24:41,440
Mm.

498
00:24:41,440 --> 00:24:44,960
..just for those few months,
to see what it was like to live

499
00:24:44,960 --> 00:24:48,400
and develop and be in the universe,

500
00:24:48,400 --> 00:24:50,200
and then the universe took him back.

501
00:24:50,200 --> 00:24:52,320
Now, I don't think that's
religious...

502
00:24:52,320 --> 00:24:54,520
No.  ..but I let him go back.  Yeah.

503
00:24:54,520 --> 00:25:01,360
And that was my belief rather than
like he went back to heaven as such.

504
00:25:01,360 --> 00:25:05,280
Yeah, yeah.  I felt like he went back
into the universe and he's out there

505
00:25:05,280 --> 00:25:07,280
and he's still part of our family.
Yeah.

506
00:25:07,280 --> 00:25:08,440
You've got to process it some way,

507
00:25:08,440 --> 00:25:11,240
you've got to make some
kind of sense of it.

508
00:25:11,240 --> 00:25:12,960
That's the only way I could make
sense of it.  Yeah.

509
00:25:12,960 --> 00:25:18,800
I was like, gosh, I was so lucky
to have him for all that time,

510
00:25:18,800 --> 00:25:21,280
and even though he was born
sleeping...

511
00:25:21,280 --> 00:25:22,920
Mm.

512
00:25:22,920 --> 00:25:25,200
..he was perfect.

513
00:25:30,280 --> 00:25:31,600
Mm.

514
00:25:33,600 --> 00:25:37,160
And I always, always say
I'm a mother of three.

515
00:25:37,160 --> 00:25:39,320
Yeah.
Always.

516
00:25:39,320 --> 00:25:40,600
Because I am.

517
00:25:41,800 --> 00:25:43,600
Right.  Aw, come on, you.

518
00:25:46,840 --> 00:25:48,280
Love you.

519
00:26:09,520 --> 00:26:13,920
It's been a labour of love getting
the Aphrodite suite ready.

520
00:26:13,920 --> 00:26:16,680
Our horrible purple wall is gone,

521
00:26:16,680 --> 00:26:19,800
replaced by a more serene
shade of green.

522
00:26:19,800 --> 00:26:22,680
The love seat is almost done...

523
00:26:22,680 --> 00:26:26,200
And I'm ready to build
my romantic bed canopy.

524
00:26:28,720 --> 00:26:30,800
Woo, I love it!

525
00:26:30,800 --> 00:26:33,440
This is like a princess bed.
I love it.

526
00:26:33,440 --> 00:26:35,080
It's looks amazing.

527
00:26:35,080 --> 00:26:37,240
..ready for the finishing touches.

528
00:26:37,240 --> 00:26:39,000
God, I look good in this.

529
00:26:41,280 --> 00:26:43,680
Ooh, it's nice, innit?
Nice material.  Really nice.

530
00:26:44,920 --> 00:26:46,960
I made these, Alan.

531
00:26:46,960 --> 00:26:49,040
Isn't he clever because I'd never
even think...?  It's clever.

532
00:26:49,040 --> 00:26:50,960
It looks quite good and rustic.

533
00:26:52,680 --> 00:26:54,200
Oh, yes.

534
00:27:09,040 --> 00:27:10,880
Well, we got there in the end.

535
00:27:10,880 --> 00:27:12,000
Oh, my gosh!

536
00:27:12,000 --> 00:27:13,280
It really works.

537
00:27:13,280 --> 00:27:14,600
It really works.

538
00:27:17,880 --> 00:27:21,400
I think this says romance as well,
like, doing the canopy

539
00:27:21,400 --> 00:27:25,480
is like an affordable way
of having, like, a four-poster bed.

540
00:27:25,480 --> 00:27:28,800
Yeah, and the wafting curtains as
well...  I wanted the wafting muslin.

541
00:27:28,800 --> 00:27:30,440
I find...

542
00:27:32,600 --> 00:27:34,880
That was a stroke of genius
that headboard.

543
00:27:34,880 --> 00:27:36,880
I did that, I did that.  I know.

544
00:27:36,880 --> 00:27:40,000
It feels chic rustique.

545
00:27:40,000 --> 00:27:42,000
Greek chic rustique.  Rustique.

546
00:27:43,240 --> 00:27:48,560
We set out to make this
a sensual room

547
00:27:48,560 --> 00:27:51,880
for two people
to reconnect and rest.

548
00:27:51,880 --> 00:27:53,640
In honour of Aphrodite.

549
00:27:53,640 --> 00:27:56,680
Yes. Might want to put her feet up
here. Do you reckon she might?

550
00:27:56,680 --> 00:27:59,160
Well, both her legs up, hopefully.

551
00:28:15,720 --> 00:28:17,600
Aghhhh!
Next time...

552
00:28:17,600 --> 00:28:19,280
We make a splash.

553
00:28:19,280 --> 00:28:20,600
Whoa, whoa.

554
00:28:20,600 --> 00:28:23,200
Why is my horse River Dancing?

555
00:28:23,200 --> 00:28:25,480
And I learn the art of beekeeping.

556
00:28:25,480 --> 00:28:28,000
No, get away!

557
00:28:28,000 --> 00:28:29,400
Agh! Oh, it's your hand.

558
00:28:29,400 --> 00:28:32,480
As we pour our hearts
into the front garden.

559
00:28:32,480 --> 00:28:34,480
I love you.  And I love you.


